2/14/2024 0 Comments Dr dre compton coverShe didn’t file a police report and says she was told in a meeting the next day with Eazy-E and N.W.A manager Jerry Heller, “‘This is a family business - you’re not pressing charges. tells The Times that she “stood up to, and didn’t back down” as he threatened her and then she claims he punched her in the mouth and the eye. tell The Times they connected with each other through social media. movies - we made the one we wanted to make,” he said.īarnes, Michel’le and Tairrie B. After leaving Ruthless Records and releasing the single Deep Cover with his protg Snoop Doggy Dogg, Dr. Gray said that the scene appeared in an early script but he ultimately cut it, arguing that the movie “wasn’t about a lot of side stories.” “You can make five different N.W.A. Gary Gray also addressed the omission of Barnes’ story during a panel discussion this month. But I paid for those mistakes, and there’s no way in hell that I will ever make another mistake like that again.”Ĭompton director F. Those are some of the things that I would like to take back. I would say all the allegations aren’t true - some of them are. Dre, Ice Cube Break Silence on N.W.A Movie, Suge Knight's Murder Charge and a Reunion Tour (With Eminem)ĭre’s remarks echo his comments to Rolling Stone in its Straight Outta Compton cover story, telling the magazine, “I made some f- ing horrible mistakes in my life. The decade-plus saga of the 'Chinese Democracy' of rap. “Why would Dre put me in it? If they start from where they start from,” she said, “I was just a quiet girlfriend who got beat up and told to sit down and shut up.”ĭr. Dre’s ‘Detox’: A Timeline of Hip-Hop’s Great Unfinished Album. Michel’le told VladTV she has accepted that his allegedly abusive behavior during the six years they were together, which they’ve both openly acknowledged, isn’t in Compton. We believe his sincerity and after working with him for a year and a half, we have every reason to believe that he has changed.” I deeply regret what I did and know that it has forever impacted all of our lives.”Ĭlaims by hip-hop journalist Dee Barnes and former R&B singer Michel’le, who was once the hip-hop star’s fiancee, that Dre assaulted them have received increased attention since the release of the N.W.A biopic Straight Outta Compton, which doesn’t include such incidents, leading Michel’le and Barnes to speak out about the movie omitting what they said happened to them.Īpple, where Dre works as a consultant after selling his Beats company to the tech giant, also issued the following statement: “Dre has apologized for the mistakes he’s made in the past and he’s said that he’s not the same person that he was 25 years ago. I’m doing everything I can so I never resemble that man again. “I’ve been married for 19 years and every day I’m working to be a better man for my family, seeking guidance along the way. However, none of this is an excuse for what I did,” Dre told the New York Times. “Twenty five years ago I was a young man drinking too much and in over my head with no real structure in my life. Dre issued a statement expressing remorse for his actions. On “Issues,” co-starring Ice Cube, Dre declares, “Fuck money, that shit could never change me.” The line seems at once boastful and true, for better and worse: The track ends with a jarring fantasy about a woman’s violent murder.Amid renewed uproar over allegations that he physically abused women, Dr. Lyrically, Compton is not only vibrant but full of an indignation that suggests world-beating success has done little to lessen the vitriol that fueled Dre back in N.W.A. Billed as a soundtrack to coincide with the new N.W.A. On standouts like “Talk About It” and “Genocide,” Dre and his co-producers manage insane juggling acts between throbbing funk bass, jazz trumpet, extended high-hat solos, acoustic guitars and irresistibly pounding drums. Dres first record in 16 years, following news that his long-awaited Detox has been scrapped. Compton contains some of his most ambitious, idea-stuffed production ever, combining the layered bombast and narcotic ooze of his catalog’s peaks with a bunch of bold new tricks. Compton is a companion piece to the new N.W.A biopic, and the album’s backward gaze is evident from the intro, where narration from an old TV documentary describes how Dre’s California hometown went from black-middle-class idyll to a crime-ravaged “extension of the inner city.” Dre reminisces over past indignities (“Face down on the pavement with the billy clubs . . .”) and glories (“. . . Now it’s ‘Fuck Tha Police’ all up in the club”) - but this is no dusty museum tour.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |